The Music of Sergio Mendes (MELBOURNE)

Irresistible Brazilian rhythms, sweet jazz harmonies and a whole lotta groove, get to the Paris Cat Jazz Club to hear classic tunes of Brazilian superstar Sergio Mendes!

Making his name back in the 1960s with his group Sergio Mendes & Brasil ’66, he went on to become the undisputed master of pop-inflected Brazilian Jazz.

Listening to hit tunes like Mas Que Nada and Ultima Batucada, you’ll be whisked away to the 60s and 70s to bossa nova cool and then get grooving in your seat (or on your feet!) to the infectious rhythms of Brazil.

Sergio Mendes is a prodigious arranger, composer and musician, and this show dedicated to his music highlights his incredible legacy. Guaranteed you’ll leave shuffling the samba, with an infectious grin!

Featuring:
Georgie Aué – vocals/piano
Hugh Stuckey – guitar
Jordan Tarento – bass
Al Kerr – drums

Georgie Aué (pron.A-way) is a genre-blending Australian pianist, vocalist, and songwriter. Her unique sound is a melting pot of styles – fusing jazz and blues with Brazilian jazz.

She’s performed at festivals around the country including the Adelaide Fringe Festival and Cabaret Fringe Festival playing to sell-out audiences with shows ‘A Norah Jones Tribute’, ‘A Day In The Life – The Beatles’ and ‘Come to Brazil’. She has recently released her third album featuring Brazilian grooves and original songs – Desert Cry.

“Elegant costuming and a beautiful setting wowed the audience, but it was the sterling performance of Georgie Aué which made the night so unforgettable. The band played with ease and you can’t help but admire Georgie Aué’s beautiful voice, complemented by her skills as a pianist.” – 5 stars, What’s On In Adelaide

“Georgie is able to capture the essence of these songs and has made them both a tribute and a demonstration of her own talent. An elegant, mellow, soulful night of fine songs and excellent musicianship.” – 4 stars, The Clothesline

‘…there was plenty to admire in the phrasing of Aué’s vocals, her light touch at the keyboard…a sterling performance’. – S Evans, Independent Weekly